The bronze sculpture has its own life

Bronze sculpture of the most touched me that its pure and self-sufficiency, its various components have been fully developed, it is static, powerful and dynamic force behind like a huge mountain it is independent of its on behalf of the object, it has its own life. "- Henry Moore, British sculptor
Zhu Jie tree
This summer, London organize three major exhibitions focus of British sculptor Henry Moore (Henry Moore ,1898-1986) works. First Empire Avenue (Britannia Street) Gagosian Gallery called "Henry Moore: late masterpiece" (May 31-August 18) exhibitions, galleries borrow a large number of bronze figure sculpture from the Henry Moore Foundation, many works are very large, had never been placed in the indoor galleries.
The art of open space
Henry Moore sculpture is the "art of the open space, the flow of air, bright sunlight, are the essential part," For me, with its best scene is natural. "He said the same "However, even if the organic their pieces are placed in the building I most admire, I still prefer on nature." However, he does not shy away from cooperation and architects, such as the Chinese-American architect IM Pei liked Henry Moore's works decorate the foyer of the building, this practice has been repeatedly used in the Washington, Dallas. Moore himself rarely active "into the house, his later years and his wife live in the the simple English countryside farm, his estate in order to facilitate the creation, expanding, and finally become a sculpture park, and now, Moore House Perry Green ( Perry Green) has become the seat of the Henry Moore Foundation. Moore works as a background of green grass, trees and sky, the Yorkshire Sculpture Park is another example of an appropriate scene. After the death of the artist, his sculpture exhibition are usually continuation of such thinking, the Botanical Garden is commonly used in stage.
On display in nature, of course, to emphasize the romantic side of Moore works, it is natural it is, and the trees, hillsides, stone and other landscape analogy, they may overlook the sculpture industrialized manufacturing process, hard, raw materials, as well as artists developed in the decades writing career full of expressive simplicity and abstract form. Typically, the mole sculpture prototype artist living in Perry Green, picked it up in the living environment around a special stone, animal bones developed a palm-sized model, a whole shelf stocked with Gagosian gallery such small objects.
Artists beyond human portrayal, Moore found a new freedom in the exhibition of this trend is obvious. He developed a the contact, distorted, connection, separation, improved integration of a variety of ways. When the audience venue or through his late bronze in the relatively confined space of the Gagosian Gallery, they are even more dynamic full tune with radical even pornography - this feeling may be difficult to obtain in the open space.
In view of the Gagosian Gallery in Britannia Street is ready to show large sculpture works of such contemporary sculptors Richard Serra, when the gallery moved Ru Moer sculpture demolished an entire wall, but its exhibition space is not cramped, Weight, size seems just right. Mole special sensitivity to the size of the sculpture, he wrote: "If the actual materials and transportation conditions allow, I would prefer to create large-scale sculptures regular size is not enough to be a concept with everyday life isolate Whether it is big or small sculptures, will have a size caused additional emotional. "He likes creative in nature," sculptures made out in the open air than in a London studio made much more natural, but it needs a larger size.
Richard of ·(Richard Calvocoressi), chairman of the Henry Moore Foundation, Gagosian Gallery London is perhaps the most worthy for the natural light to proud of exhibition space, "both from the zenith or from the surrounding at least partially met Henry Moore 'Daylight' persistent requirements. "
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